Renfield: The Role Nicolas Cage Was Born To Play

Written by Luke Barnes

Summary

Renfield, played by Nicolas Hoult, must do battle with both his toxic boss Dracula, played by Nicolas Cage, as well as with local mobsters.

I liked this film for the goofy fun ride it was. I appreciated the focus on Renfield and Dracula’s relationship and the ins and outs of it. I thought framing the whole thing through this idea of unhealthy co-dependent relationships was both funny and also able to generate some real insights. I have never really thought of the Dracula Renfield relationship like that before but I suppose that I haven’t really thought about it at all.

Moreover, both Cage and Hoult are terrific, Cage is as hammy and as campy as you would want him to be, he is very much playing the Bela Lugosi Dracula and that comes across in the costume design as well. Whereas Hoult really turns Renfield into a multi-layered character that you end up caring about, being both sympathetic but also heroic in equal measures. I must say however, thought I like Awkwafina in other things I thought she was miscast here. I say this because she has terrible chemistry with Hoult which would be less noticeable if the film was trying to ship them off into a relationship for most of their screen time together. Moreover, her being the straight man to all the on screen silliness just doesn’t work, what we want is for her to be reacting more to the craziness as her reactions could then be a stand-in for the audience, but instead she just keeps being stoic.

Furthermore, I don’t know how I feel about the films action. It is a horror comedy film and not an action film, yet the film does feature a lot of Wick esque fight sequences which honestly get a little tried after a while. Worse yet with the whole cockroach power up mechanic the fights end up feeling like generic superhero battles and then become lost in that sea of generic special effects. However, I do like how gory the confrontations get that makes for some good gross out moments and gags.

Overall, fun and with a good message of being your own person, but Awkwafina is sorely miscast.

4/5

Pros.

Hoult

Cage

The gore

The message about relationships

Cons.

Awkwafina is miscast

The action becomes boring after a while

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Paradise PD, Was A Man Killing Cats Ever Funny?

Written by Luke Barnes

I want to use this piece to talk about the latest season of Paradise PD and the idea of mean spirited humour.

I want to open this up by saying humour is totally subjective so what works or doesn’t work for me might work or not work for you, I am not saying my opinions on what is and isn’t funny are definitive this is simply an opinion piece.

Recently I sat down to watch the most recent season of Paradise PD on Netflix after having watched all of the previous seasons, however, unlike with those seasons I was barely able to make it more than one episode into the new season.

Now why was that? Well though the show has always had mean humour in a similar vein to something like Family Guy and I found with this most recent season that all the characters are just so unlikeable and hateable that I find it hard to watch. There is no reason to watch something when you hate every single one of the characters, is there?

Worse yet in a lot of the cases I find that the characters are hateful for no other reason than to be edgy. That complaint has been levelled against this show since day one and for the most part I ignored it, but now it is too much to ignore, this show is edgy for the sake of it and rather than be cool as the creators probably want it to be it just feels try hardy. Look at a recent adult animation like Little Demon it had a lot of gross out gags and edgy humour but it also had an engaging story, deeper themes and characters you didn’t hate. It didn’t have the character living in the anus of an inbred baby for a joke.

I don’t know dear reader, I don’t know whether this season is any worse than the last few but I do know that it was finally the time wherein I saw the worse side of this show and stopped watching. Maybe I have changed or maybe it is simply the fact that watching a man kill cats and then do a musical number with them isn’t funny.

Hopefully Netflix cancels this show soon.

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Friday: Working For The Weekend

Written by Luke Barnes

Summary

Craig, played by Ice Cube, and Smokey, played by Chris Tucker, run into trouble when they get on the wrong side of their local drug dealer.

I know a lot of people really like this film, and I have been meaning to watch it for some time. After watching it I can see the appeal, the film is quite effortlessly funny and has characters that both make you laugh and smile but also that you can relate to. Everyone has known someone like these guys before, and as such the experience of watching this film feels like spending time with your friends.

There are also quite a number of funny and well developed side characters that helped the world to feel full and lived in. There is constantly something funny going on and that helps the film to feel lively which helps to stop any pacing issues. In terms of wider narrative I thought the film was fine, yes the story has been done before and since, but the laughs and the characters more than make up for the overly familiar story and give you a reason to stick with it.

Overall, a lot of fun.

4/5

Pros.

Cube

Tucker

The side characters and world

It is very funny

Cons.

The story is a little familiar

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The Other Woman: This Is Why Cameron Diaz Needed To Retire

Written by Luke Barnes

Summary

A pair of women, played by Cameron Diaz and Leslie Maan, find out that they have been cheated on and so team up to try and take down their ex, played by Nikolaj Coster-Waldau.

When considering films like this you can see why Cameron Diaz retired. If her return in years to come leads to more films like this being made than the landscape as a whole will be a worse place for it.

There was nothing of any charm of warmth about this film. If anything there were lines so unpleasant and off putting that I almost turned it off. Take if you will a scene in which Diaz’s character is talking to her assistant, played by a robotic Nicki Minaj, wherein they talk about there being no issue with Diaz sleeping with married men so long as she can ‘take them’. Now, before you say it, yes this attitude has been in many male driven rom-coms before so isn’t anything new, and this is at the start of the film wherein the character still needs to work on themselves, however, whether it was a man or a woman saying this it is still a dick move. The whole conversation, which is fairly early on, doesn’t do anything to make you like Diaz’s character really quite the opposite.

Moreover, the film tries to cut a feminist silhouette of having the women realising they should be helping and uplifting each other rather than fighting over a man, which is a good message. Although it is quickly undercut as Diaz’s character just begins a new romance, which then makes the idea of her not needing a man to be happy, which the film really tries to run with, feeling hollow. I think the film would have been better if after defeating the ex Diaz’s character ended the film single but open to the idea of trusting a man again. That would feel more true to me at least.

Overall, this film wasn’t enjoyable to watch at all and at times felt like it was forcing my hand to the off button, and I like rom-coms.

0/5

Pros.

None

Con.

Diaz is unlikeable

It is contrived and overly familiar

It tires to land a feminist message but is way off course

The ending contrasts the whole point of the film

Nicki Minaj can’t act and shouldn’t be given any roles in the future.

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Rye Lane: Finding Love In Modern Britain

Written by Luke Barnes

Summary

Two recently dumped individuals, played by Vivian Oparah and David Jonsson, meet randomly one day and find that they have a connection.

This isn’t a new film, the idea has been done in hundreds of films before especially within British rom-coms. However what this film does is update some of the older tired cliches and to produce something modern to a reasonable effect.

I don’t think this film reinvents the form but it is a nice wholesome watch. Jonsson and Oparah have great chemistry and both are charming in different ways. The way their characters interact with each other on screen instantly makes you root for them and want them to be together, this is helped by the fact that for once the relationship shown to us in a rom-com doesn’t seem incredibly toxic.

I also liked some of the more surreal shot choices and story telling frames this film used, it was a nice break from the genre but also from within the film itself it helped to shake things up and keep them fresh,

My highlight of the film was the Colin Firth cameo as the burrito chef, which I thought was hilarious and well placed. It was nice to see a genre mainstay like Firth show up for a film like this and give his blessing to a new generation, it rooted the film so easily within this very British tradition and created an unforgettable moment.

Overall, a nice happy watch but not one that will blow you away.

3.5/5

Pros.

The leads have good chemistry

It is fun

It makes you care about the characters

The Colin Firth cameo

Cons.

It is very familiar

The conflict towards the end of the film feels forced in rather than organic to the story

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Pinball The Man Who Saved The Game: An Unexpected Delight

Written by Luke Barnes

Summary

Telling the story of the man who overturned New York City’s ban on pinball.

I thought this was a tremendously fun film. I personally don’t really care at all about pinball, but this film had me rooting for the ban to be overturned. It is hard to put it into words but there is something special and winning about this film, it managed to play with my heart in a way I wasn’t expecting it to whilst also making me laugh every step of the way.

On the subject of comedy, I particularly enjoyed the meta jokes wherein the walls of the film where broken down and the narrator of the tale came in and addressed us directly. There was a good number of funny lines delivered by Mr Sharp, played by Dennis Boutsikaris, as he clashed with the wider team behind the scenes.

However, what I will say was the films strongest element was the story of Roger, played by Mike Faist [and playing within the narrative of the film a young version of Mr Sharp], and his relationship with Ellen, played by Crystal Reed, and her son, played by Christopher Convery. I think this is one of the best romantic pairings in a film I have seen in a long time and that both Faist and Reed have great chemistry together and that this is what anchors the film.

Overall, an unexpected treat which does what Tetris tried to do but bettered it.

4/5

Pros.

Faist

Boutsikaris

Reed

The humour and the heart

Cons.

It was a little rushed in places

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Murder Mystery 2: Adam Sandler’s Latest Holiday

Written by Luke Barnes

Summary

Adam Sandler goes on another holiday on Netflix’s dime.

As far as Sandler fare goes this is fairly passable. Whilst it is not his best film it certainly isn’t his worst either and as it stands it is quite a nice film to turn your brain off to and just space out. In a sense you could view it as the peak of escapism.

Sandler himself is toned down here, and whilst he does get into some whacky situations he is not as mean spirted as he is in some of his projects. I would dare say the earnestness of Jennifer Aniston’s performance works wonders to make Sandler more likeable. Aniston has great comedic timing here and her scenes where she is shooting people and is unexpectedly a great shot and is murdering people left right and centre by accident is actually funny.

In terms of the plot it is another convoluted mystery, but you aren’t here for that, no you just want to see Adam Sandler be Adam Sandler and the film gets that as it offers a plot that wraps up in a ridiculous way that makes little sense and doesn’t try to do anything else because it knows you don’t care.

Overall, a fun film to mindlessly watch, not much of an advance on that really.

3/5

Pros.

Aniston and her murdering skills

It does have some funny moments

It is very easy to watch

Cons.

The plot is convoluted

It feels very low energy

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The Donor Party: How Many Different Bathrooms And Bedrooms Can One House Have?

Written by Luke Barnes

Summary

A woman’s, played by Malin Akerman quest to have a baby makes for one hell of an awkward party.

The morality of this film is quite questionable. On the one hand we have a lead who is tricking men into having unprotected sex with her, on the other hand there is a pervasive feeling across the film that Akerman’s Jaclyn is being slut shamed for having random hook-ups as her rich fellow partygoers look down on her. The whole area is quite murky and though the film does have Jaclyn’s activities be revealed and have her be criticised for it, it for the most part glosses over the consent issues which is problematic.

At the same time there is something incredibly satisfying in the third act where it seems as though Jaclyn has been bullied from the party and she re-enters and gives the partygoers a piece of her mind. The film designs it so that despite her problematic behaviour you root for Jaclyn and as such it is nice to see her stick up for herself in the end, she makes a number of good points in doing so as well. This scene could easily have come off as preachy, but for me it worked well.

In terms of performances this is Akerman’s film, which is both a pro and a con in and off itself. For the pro she easily carries this film and helps make the viewer feel at ease, as I have previously said she is very likeable and easy to relate to, however, for the con it means the supporting cast are mostly overlooked or used to further Jaclyn’s story without having much to do themselves.

Overall, a fairly by the numbers middle aged comedy film, however Akerman does manage to elevate it.

3/5

Pros.

Akerman

It is watchable

It feels very cathartic when Jaclyn lets loose at the end of the film

Cons.

The iffy moral quandary

The wider cast is largely wasted

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The Ridiculous Six: Not Even Trying To Hide The Racism

Written by Luke Barnes

Summary

Adam Sandler plays a Native American.

Yikes. There was a time when I considered myself a Sandler die hard, I watched all of his films and thought he could do no wrong, then came Jack and Jill and his move to Netflix.

This film feels like it is trying to be edgy, not because the film thinks it is funny, or to own the libs or any other whiney platitude, but rather as a last gasp, as these old timers know that if they aren’t making gross out jokes and objectifying women then people might realise they are wasted up and not funny anymore. Many people can already see that.

I won’t rant at you about the meanspirited nature of this film, or the racial lines it crosses, and believe me this film could easily be labelled racist, but I will say that it is sad to see Sandler and co relegated to this. To me it screams of a group of guys who have given up on themselves and their careers and have realised that their heyday is long since over. It is sad.

I can’t see why anyone would find this film funny, it is just pathetic. It makes even the worst most lazy jokes on current year Family Guy look like comedy masterstrokes, it is just bad. However, maybe that is the point, maybe Sandler and co are just trying to ride the gravy train until they hit forgotten relic status. Sandler at least can save himself with some of the more dramatic work he is doing recently, but some of these guys like Anti-Vaxx ranter Rob Schneider are done.

Overall, Netflix never did get the memo on quality over quantity.

1/5

Pros.

It makes for a good way to entertain your pets when you have to go out for a bit.

Cons.

It is deeply not funny

It is sad to see Sandler reduced so low

It is quite creepy at times, and also racist

It is pathetic in more ways than one

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We Have A Ghost: David Harbour Is Charming Even When Silent

Written by Luke Barnes

Summary

A family moves into a house only to find it haunted.

I thought in some respects this was quite a sweet film. Very familiar, but sweet. I thought the friendship between Jahi Winston’s Kevin and David Harbour’s Ernest was fairly nice and heart-warming, I liked a lot of the awkward comedy they injected into the interactions between the two, especially after they go on the run. Likewise I thought that the relationship between Kevin and his father, played by Anthony Mackie, was also quite well done I liked how they showed the distance but also that the spark of their bond was still partially alive.

My criticism of this film would be that it leaves a lot on the table and doesn’t go as wild as I would have liked it to, for a film that has a secret government agency that hunts down ghosts this film is more interested in it’s characters relationships than anything else, which for me seemed like a missed opportunity. When looking at Landon’s other recent work with the Happy Death Day films and Freaky I was expecting something a little more zany, though maybe he was trying to rebalance the scales with this one.

A final aside before I bring this review to an end, I think that this film is absolutely stolen by Isabella Russo’s Joy, whenever she is on-screen she commands attention and without trying was easily my favourite character of the film, I liked her attitude and general vibe and I also thought she had a lot of the funniest lines in the picture.

Overall, a surprisingly sweet film but one that has been done before, arguably better, and one that doesn’t go as hard or as silly as you would like it to.

3/5

Pros.

Winston, Harbour and Mackie

The character work and relationships

Russo as the scene stealer

Cons.

A little too serious at times for what it is

Pacing issues galore

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