Missing: Pretty Good Product Placement For TaskRabbit

Summary

A teen, played by Storm Reid, must try and find her mum, played by Nia Long, after she goes missing in Columbia.

I will admit this film was a lot better than I was expecting it to be. Based on the trailers I thought this film was going to be incredibly generic, and whilst that is partially true, I found myself caring about the character’s journey and invested in the twists and turns of the plot which was a nice surprise. There are some good edge of your seat moments here, mainly centred around a pretty genius bit of misdirection.

However, the film isn’t perfect and ultimately you will have seen many of these sorts of films before, it can’t escape its generic structure. Moreover, once you know the twist it is highly unlikely that this film will stand up to rewatches as it won’t be anywhere near as good. Widely I think the thing that harms this film is the fact that its format, screenlife as it has become known, films which all take place on someone’s computer or mobile devices, feels like a fad from the middle of the last decade which no longer holds the same novel nature it once did, it now feels tired.

Reid’s performance as well is nothing to write home about and actually comes across as fairly two dimensional at times. She is only a short into her career actor so I won’t be too hard but her emoting and dramatic delivery could really use some more.

Overall, better than it has any right to be, but still hamstrung by its format and overly familiar narrative.

3.5/5

Pros.

The twists and turns

Maintaining good tension

The pacing

It is certainly very watchable

Cons.

Reid

It is overly familiar

Screenlife really is a played out gimmick

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Left Behind: Cage Turns To Jesus

Written by Luke Barnes

Summary

Nicolas Cage makes a faith film.

So like many of the Pure Flix films, this isn’t one, that you might have seen this film spends an awful lot of time trying to instil in you the message that we as a species have become too sinful and by turning away from God he is going to smite us. So much, so repetitive, it is as though the Christian crowd doesn’t seem to realise you can’t scare people into believing.

In many senses you can guess where this film is going and it doesn’t deviate from that in anyway. It feels incredibly preachy and doesn’t have much fun with its end times scenario. Just once I would like to see an End Times film that is a comedy, someone needs to make that.

Usually I would say that Nicolas Cage can save any film he is in and whilst that is true, here he doesn’t do much. Which is a real shame. I would guess that this may be one of the films made during the time whilst Cage was badly in debt and in dire need of cash to keep the tax man off his back because surely he didn’t believe in this film or think that it would make for a good role, it is sickeningly over the top Christian propaganda.

Overall, one has to question is the Christian film market big enough to prop up all these terrible films?

1.5/5

Pros.

It is unintentionally hilarious

It makes for a fun drinking game

Cons.

Cage can’t save it

Pacing issues

It is incredibly preachy

It is predictable

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Black Sea: Life Below The Russian Navy

Written by Luke Barnes

Summary

A crew of recently fired sailors try and engage in some deep sea salvage to disastrous consequences.

I really ended up enjoying this film, though there are many action thriller films with similar premises I thought this film came together well. All parts of the film working together manage to lift it above mediocrity and straight into good.

I thought the threat and peril of the film felt very real. Once things start going south under the sea it becomes edge of your seat viewing. The claustrophobia of the submarine helps to amplify this and make every thing that goes wrong feel like it is adding to this sense of dread which makes the film hard to look away from.

Another major feather in the films cap is its cast which is absolutely stacked with good performances. Jude Law centres the piece masterfully, coming off originally as a very hard and stoic man but then growing more and more likeable as the film progresses and you begin to understand his motivations. Equally Ben Mendelsohn who plays a psychopathic diving expert also manages to give Law a run for his money in terms of performance. You really feel the detachment and the hostility that Mendelsohn’s character is giving off, and the film is wise to use him as a red herring villain, as it then masterfully misdirects whilst at the same time taking shots at classism within society.

Overall, a strong thriller film.

4/5

Pros.

Law

Mendelssohn

The tension

The ending

Cons.

The first act is painfully slow

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Knock At The Cabin: Would You Let The World Burn?

Written by Luke Barnes

Summary

A couple, played by Jonathan Groff and Ben Aldridge, and their daughter, played by Kristen Cui, must choose between sacrificing one of their own, or letting the world burn.

I think this coupled with Servant really does seem to suggest that M. Night Shyamalan is back on top form and hopefully this can last for at least a few more projects. Admittedly I did think a similar thing when Split came out and then he released Glass and Old so what do I know maybe another slump is just around the corner.

I thought the best thing about this film was the premise. For a lot of the film you don’t know if what the dooms day people are saying is true, but as the film progresses and we see that it is and that the magnitude of the destruction is massive, this then shifts the film into being a thought experiment in ethics. I really enjoyed the themes and ideas Shyamalan tried to explore here and I thought that unlike Old this film has some real depths to it.

Groff and Aldridge made for a very believable couple, and thanks to the well-used flashbacks you do end up caring about them as a couple as well. This is very important as the emotional core of the film comes down to whether you could lose the love of your life to save the planet and that needs to hit emotionally in the film, which I can safely say it does. I thought the supporting cast of the dooms day preventers were also good, if a little underdeveloped, Dave Bautista’s Lenard gets the most attention on that front and he does give a solid performance though I would say he isn’t given much to work with.

Overall, M. Night Shyamalan’s best film in years.

4.5/5

Pros.

The performances

The emotion

The premise and what they do with it

The ending

It is well paced and maintains its tension throughout

Cons.

The supporting cast are a little wasted as their characters are underdeveloped

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Plane: Plummeting To The Ground In More Than One Sense

Written by Luke Barnes

Summary

Gerard Butler is a pilot who must face off against violent insurgents after his plane goes down.

Meh.

I could really leave the review there as there isn’t much more to say. It is a perfectly serviceable action film but nothing more. For anyone hoping for a do-over of Olympus Has Fallen this is nowhere near that level, nor is it near the levels of awfulness that make something like God’s Of Egypt fun. It is exactly what you would expect it to be and that is why it is so disappointing.

Perhaps the only thing of note that is positive about this film is the fact that Butler gets to go fully Scottish and let his accent come out which is nice as his barely faux American accents were starting to get grating. In terms of his performance Butler is as he ever is here, if you have ever seen one of his films then you know what that entails. There is a scene in which one of Butlers character’s passengers gets killed and he throws himself around and looks emotional whilst in the arms of Mike Coulter’s character, that I suppose could count as Butler trying to do some acting here but even then it is still fairly thin.

In terms of Mike Coulter if he thought this was going to be his breakout action role, in a post Luke Cage sphere, then he was sorely mistaken. His character is really more of a prop, being there to service Butler’s character and the plot, being whatever it needs him to be. It is strange that the script never really addresses the crime his character was accused of doing beyond stating it once, they set up a whole narrative that never comes to anything at all. To his credit Coulter’s incredibly limited performance makes Butler look like he deserves an Oscar so if nothing else I am sure Butler is thanking him.

Overall, not campy enough to be fun and too formulaic and familiar to be interesting.

2.5/5

Pros.

It is watchable

Some of the CGI is hilariously bad

It is short

Cons.

The performances are awful

The script feels like it is copied and pasted from many other action films with barely anything unique to it

It never addresses Coulters character’s backstory

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Nanny: The American Dream Is Dead

Written by Luke Barnes

Summary

An undocumented Senegalese immigrant, played by Anna Diop, works hard to try and bring her young son to the US, but all the while something seems amiss.

I will say quite upfront this is not a horror film, there are vague supernatural elements that really never amount to much at all, but this is in fact a drama film concerned with notions of trauma and mental health rather than anything else. As such if you go in expecting scares, as I did, you will be disappointed as this film isn’t scary but is instead manically depressing.

I enjoyed the film for what it did with time, often moving around and back and forth between things without any notice to the audience, and also for the use of African themes and mythologies in its horror, often the genre gets very bogged down with western Christian themes and monsters and it is nice to see something else for a change.

I also thought the performances were strong across the board with Diop and Michelle Monaghan being particularly fantastic, both convey the darker aspects of motherhood well and bring a wide emotional range to their respective performances.

Overall, strong performances and fresh mythology clash against a deeply predictable twist and a lack of scares.

2.5/5

Pros.

Diop and Monaghan

The focus on African mythology

It tries to do something fresh

Cons.

The twist is incredibly obvious

It is depressing

There are no scares

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Unbreakable: Ageing Poorly

Written by Luke Barnes

Summary

A train crash survivor, played by Bruce Willis, realises that he has superhuman powers and then enters into a twisted power game with a disabled comic store owner, played by Samuel L. Jackson.

This is one of those films that a lot of people really like but that I have never been able to get into. When looking at Shyamalan’s wider body of work it is his forays into superhumans that really lose me, with the exception of Split, that and his dreadful After Earth.

My biggest issue with this film has always been that the characters don’t feel fully realised, in many senses they feel like someone has read a comic book and seen Batman, a purely random example, and has only understood one very basic aspect of his character and then has used that to create an inferior rip off character. To me the characters don’t feel in any way relatable and that is a big issue.

I also think the deeper question of do these people actually have powers, which gets turned up throughout the film and a lot going into Glass, is not actually as interesting as Shyamalan seems to think it is. Honestly after having the question asked for the hundredth time during the subtext of the film I begin to stop caring.

There are other avenues I could point to in my criticism of this film such as Bruce Willis being incredibly miscast but they are low hanging fruit and I won’t take them.

Overall, some of the worst aspects of Shyamalan as a filmmaker.

1/5

Pros.

It’s hard to not like a Samuel L. Jackson performance, he is a redeeming factor of the film.

Cons.

The characters are entirely unrelatable and feel alien in the worst way

It is far too long

Willis is incredibly miscast

It is not as deep as it thinks it is

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Memento: Finally Tattoos Serve A Purpose

Written by Luke Barnes

Summary

A man’s, played by Guy Pearce, quest for vengeance is disturbed by his amnesia and inability to form new memories.

Ah this takes me back to a beautiful time before Christopher Nolan thought he was the saviour of cinema and before his ego eclipsed the sun causing us all to live in darkness. Despite what some of my long time readers might think, I did used to enjoy Nolan’s films I think Interstellar is a brilliant film on a lot of levels, but the way he behaved in the pandemic with Tenet really did sour me on him. Anyway, my personal ramblings aside this is a great film, not quite Interstellar good, but certainly in the top half of Nolan’s filmography.

I particularly enjoyed how this film plays with its narrative and tries to do something new with it, for the time this film released in this was really quite revolutionary. Moreover, the mystery that it all leads to is very satisfying and well-constructed, I found myself having my expectations played with and challenged at multiple different turns.

My issue with this film as with a lot of Nolan’s work is the mixture of extreme pacing issues and a sense of smugness that pervades the work and taints it. Much like James Cameron Nolan seems to struggle to keep his films succinct and instead has them outstay their welcome, and that is not to say the ending of this film is bad, rather than there are a number of slow moments towards the end of the first act and throughout the second, it is in these moments the film lost me slightly.

Overall, definitely a good film, but one that comes to symbolise a lot of later issues with Nolan as a filmmaker.

4/5

Pros.

It does something different

A compelling mystery

It subverts your expectations in a way that doesn’t feel insulting

Guy Pearce is a good lead

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High Heat: Life After Miami Vice

Written by Luke Barnes

Summary

A chef, played by Olga Kurylenko, takes on the mob.

I put this on as the trailer made it look as though it was a relatively fun and silly hour and a half and I went in expecting bad puns and a general tongue in cheek attitudes. However, in all honesty all I was met by was an incredibly generic and forgettable action movie, that struggles to maintain your attention as you are watching it.

This is very much in that subcategory of action films that could be described as a John Wick clone, everything from the way the action is shot and presented to the mysterious past angle of the lead is reminiscent of the Wick films, however, unlike those films this does not have the world building or incredibly strong lead performance from Reeves to prop it up.

In that vein Kurylenko is fine but certainly isn’t breaking the mould. Looking at her recent filmography I worry somewhat that her career might take on a Bruce Willis like quality as she releases film after film like this wherein she gets paid for minimal effort. I suppose everyone needs to take work to keep the lights on, but she is so much better than this, this is a waste of her talents.

Overall, a deeply forgettable action film.

2/5

Pros.

It is watchable

It is unintentionally funny at times

Cons.

It wastes Kurylenko

The action is all very tame

It feels like a bargain basement John Wick clone.

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Interview With Writer/Director David Bryant: Splinter

Written by Luke Barnes

I recently had the chance to interview Writer/ Director David Bryant about their new horror thriller film Thriller, which follows a guy, played by Bill Fellows, who sinks into the abyss after the death of his wife and child, and whilst there he believes something is watching him with the question then becoming is it a benevolent or malevolent presence. In this interview we discuss processing depicting mental health on screen, the metaphorical significance of Christmas, and the labour of love that is filmmaking.I hope you enjoy.

Q: What was your message with this film?

DB: On Splinter, as with many of my screenplays, I try to bring in a social aspect, something relevant and contemporary. I knew I wanted to base the film inside a single location, a house; So, why is someone trapped inside their own home? This is where I wanted to make the film about a mental prison. A man dealing with multiple issues from anxiety and OCD to agoraphobia but place him in a horror/thriller. It’s more an examination and depiction of the failing of someone’s mental state than a message. I prefer to pose questions than give a complete answer with my work, so people can discuss how they read the film compared to other people.

Q: How did you try to approach the topic of grief with this film?

DB: My whole approach to the film was to play it as real as possible. To create a genre film but stage it like a kitchen sink drama. This extended to how John, played by Bill Fellows, deals with his grief and loss. I felt this approach would form a stronger link to the character, an empathy that would bond you to him. Hopefully you feel his grief in a deeper way because of the down to earth depiction.

Q: In what way does Christmas play a role within the film?

DB: Christmas is a wonderful visual metaphor for family and joy. It instantly places you in a safe place. Then I wanted to twist that, a man trapped in a time capsule, literally it is “Christmas everyday”, but it’s not as fun as Wizzard told us! The tree and cards also give the film a sense of time and place and on a low budget, creates a more interesting environment.

Q: Would you call this film a Christmas film?

DB: Ah, the age old question. I think it falls into the category, though most of it is not set at Christmas. I think Christmas horror/thriller is a big market so I say a big YES. I have co-written a very cool Christmas anthology horror that I would firmly put as a Christmas movie plus a family non horror Christmas movie. I sound like the new Shane Black… Which would be nice.

Q: What is your favourite moment from the film?

DB: I’d call the film a slow burn that builds to a crescendo. I like when Bobby enters the story. It’s the most visceral and violent moment. The finale with Michael and Bill I really like too. Bill certainly enjoys playing off another actor whether Michael McKell or Jane Asher.

Q: Any funny stories from production?

DB: It was a small shoot, just a three man crew most of the time and shot over several weekends so not a lot of time for hi-jinks. Wish I did have a funny story, just tales of hard bloody work.

Q: What does the future hold for you, any other films in the works?

DB: I hope I get to make more movies. I’m working on several feature screenplays including a sci-fi UFO horror, a pirate horror and a Western horror and have numerous completed scripts ready to send out that have placed in screenwriting competitions. I work mostly in genre and have two projects I am working with producers on to develop; Flesh & Blood, a vampire story and a female led revenge thriller, Scavenger. I want to move on to a higher level and both these films have a real cinematic feel. We just need funding! I’m also open to offers of writing or directing!

Q: Any words of advice for future filmmakers?

DB: My advice is always to not wait. Many filmmakers think they need a million dollars to produce this incredible film that will catapult them to legendary status. It can happen, but not often. So I suggest you practice your craft. Learn the art of screenwriting by reading and writing dozens of shorts or features. Get a camera, find a few actors and go make a short film. There is a lot of pressure filmmakers put on themselves that everything they make has to be outstanding- it won’t be, and if you see getting out and shooting your film a chore, maybe filmmaking is not the life for you?

If you would like to check out Splinter for yourself it is currently out now on iTunes and Amazon Prime in the US and Canada with it coming to the UK and other territories next year.

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