The Donor Party: How Many Different Bathrooms And Bedrooms Can One House Have?

Written by Luke Barnes

Summary

A woman’s, played by Malin Akerman quest to have a baby makes for one hell of an awkward party.

The morality of this film is quite questionable. On the one hand we have a lead who is tricking men into having unprotected sex with her, on the other hand there is a pervasive feeling across the film that Akerman’s Jaclyn is being slut shamed for having random hook-ups as her rich fellow partygoers look down on her. The whole area is quite murky and though the film does have Jaclyn’s activities be revealed and have her be criticised for it, it for the most part glosses over the consent issues which is problematic.

At the same time there is something incredibly satisfying in the third act where it seems as though Jaclyn has been bullied from the party and she re-enters and gives the partygoers a piece of her mind. The film designs it so that despite her problematic behaviour you root for Jaclyn and as such it is nice to see her stick up for herself in the end, she makes a number of good points in doing so as well. This scene could easily have come off as preachy, but for me it worked well.

In terms of performances this is Akerman’s film, which is both a pro and a con in and off itself. For the pro she easily carries this film and helps make the viewer feel at ease, as I have previously said she is very likeable and easy to relate to, however, for the con it means the supporting cast are mostly overlooked or used to further Jaclyn’s story without having much to do themselves.

Overall, a fairly by the numbers middle aged comedy film, however Akerman does manage to elevate it.

3/5

Pros.

Akerman

It is watchable

It feels very cathartic when Jaclyn lets loose at the end of the film

Cons.

The iffy moral quandary

The wider cast is largely wasted

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Servant: Series Overview

Written by Luke Barnes

Summary

The Turners, played by Lauren Ambrose and Toby Kebbell, have their lives turned upside down when a nanny, played by Nell Tiger Free, turns up on their doorstep and performs the impossible.

This will be a review of the entire 4 season run of the show as it is intended as a series overview.

There was a time when I couldn’t stop watching this show and watched the first few seasons back to back over a number of days, the supernatural mystery and not being able to guess what would happen next kept me on my toes and kept this show as being a must watch. The chemistry between the cast was really quite hard to look away from and I don’t think there was a single bad performance in the show’s whole run, additionally it may be this series that saved the career of Rupert Grint, Ron from Harry Potter.

However, then came the final series and the cracks began to show in a massive way. An argument could be made that if the show had stopped after season 3 it would have been much better, as the final series didn’t seem to know how it wanted to end things and this then resulted in a deeply disappointing finale that felt frankly like a cop out, with character behaving in ways that made no sense to how they had been previously.

The central question of the show was, who is Leanne, played by Free, what is she and ultimately will she win. Over the course of the show these questions had been given slight answers but never anything concreate and the final series tried to address them more but ended up ruining the character. It made no sense for Leanne who was embracing her cult leader status just a few episodes earlier to set herself ablaze in the final episode, it reeked of convenient writing to me.

Overall, the high score I have given this show reflect how good it was in the earlier seasons, if the last season hadn’t ruined the character of Leanne and missteped so badly on the ending then it may even have gotten higher.

3.5/5

Pros.

The chemistry

The mystery

The supernatural tease

The world

Cons.

The answers we got made no sense

The series ruined itself by the end

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The Mandalorian: The Foundling

Written by Luke Barnes

Summary

Grogu trains and a giant bird attacks.

I don’t know what it was about this episode but something just felt off with it for me. I think after the first two episodes of the new season were so good the third and now this one have just failed to get me to the same level. I think what bothered me about this episode was that it felt like filler, the story didn’t advance much, beyond the one area that I will get to, and the giant bird rescue felt very needless and forced in to pad for time.

However, that said I did really quite enjoy learning Grogu’s back story and getting to see more of what went down when the Jedi temple fell. Jedi Master Kelleran Beq, played by Ahmed Best was a cool addition and I will be interested to see where his and Grogu’s story goes. I hope the show doesn’t just kill him off to give Grogu some more trauma to deal with.

I also thought that once again Katee Sackoff’s Bo-Katan was a scene stealer. The final scene at the end of the episode where she is talking about the mythical Mandalorian beast was super interesting and it will be fascinating to see if she tries to capture it later in the season.

Overall, a good episode if somewhat lacking.

4/5

Pros.

Bo-Katan

Grogu’s development

The teases for the future

Learning more about Mandalorian culture

Cons.

It feels like it is missing something

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Star Wars The Bad Batch: Tipping Point

Written by Luke Barnes

Summary

Crosshair sends a warning to his old friends.

I thought this episode was one of the best so far, and it was so, so nice to have this after last week’s incredibly slow episode. I think this was a powerful episode on a number of levels, as it showed both the evils of the Empire but also how far the character development of Crosshair has come as not only does he defy the Empire but also tries to warn his old teammates.

Moreover, I am also very excited to see the return of Echo and see further insights into the clone rebellion and how they are fighting back against the Empire. I would like to see a spin off focusing on Echo or Rex and the clone fightback, or failing that I would like to see the Batch at the end of the season join the fight back against the Empire.

The one thing I would say about this episode in a negative sense is that it is very heavy and depressing. Which for me worked as I prefer the episodes of this show where they try and take a darker tone and deal with deeper issues, but could also be quite off putting to some, The torture scenes involving Crosshair were quite surprising in how far they went with it.

Overall, another great episode and it is nice to see a return to stakes after last week’s diversion.

4.5/5

Pros.

The darker tone for me

The emotions

Crosshair’s character journey

Seeing the clone rebellion

It is nice to have the Batch back together again

Cons.

It was quite dark and some people might find that off putting

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Marvel’s Week From Hell

Written by Luke Barnes

I want to use this piece to talk about Marvel’s week from hell, with Victoria Alonso being fired and Jonathan Majors being accused of domestic violence.

An argument could be made that Marvel has been circling the drain for some time now, things have been getting worse and worse over the last phase as we know because Marvel Studios has been favouring quantity over quality, supposedly on the orders of the former Disney CEO. However, this week the drama has seemingly really intensified and I want to give my take on it, what it means for Marvel and what I think they should do going forward.

Regarding the situation with Alonso, I would argue they made the right call, she is threatening to take Disney to court now so it may continue to be a headache but no doubt it will be easily snuffed out. However, I think removing Alonso was a good call as she has said some culture war type tripe before, see her comments about the X-Men, and could be seen to be one of the main voices, allegedly, pushing for wider social commentary and identity politics in the films. More of that is not what the MCU needs right now, it needs to bring back audiences from both sides of the political divide. In addition there is the talk of Alonso, again allegedly, being a highly toxic force when it came to the VFX departments as she seemed to be a cruel boss who would favour those loyal to her and punish the rest, now this is unsubstantiated beyond a few people’s alleged first person accounts but if true its probably why the VFX work of late has been so bad within the MCU.

Regarding the Majors situation, everything is still quite up in the air but things don’t look good and it looks like Majors may have done some bad stuff, again all alleged at this moment. They are trying to paint it as the accuser was having some sort of break and that’s what happened and Majors is innocent, but I smell trash and think far more likely Majors and his team are trying to destroy the credibility of the witness in order to get him off and that the alleged retraction she has written is most likely being done after she has received a pay out or possibly something stronger, a court battle she probably can’t afford. Again all alleged and my opinion. I think this proves that movie studios need to better vet their actors, especially as a history of violence is starting to emerge online with regard to Majors’ past. I think regardless of where the arrest goes Marvel Studios and or Disney should conduct their own investigation and if this story is even slightly true, then Majors should be fired and the role of Kang recast.

I really think and have said many times before on social media that I think the best thing for the MCU right now would be for them to step back, delay all their productions, except maybe Guardians,into next year and rework things. Go back to the basis and quality check every project, cancel somethings that don’t need to be there and course correct as currently the MCU seems to be in freefall. I would still imagine that Guardians will do well in the coming months, but I think the Marvels much like the recent Ant-Man will do terribly for Marvel Studios and push the need for change.

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Children Of The Corn: Now With Added GMOs

Written by Luke Barnes

Summary

Children of the Corn is remade in the era of GMOs and climate activism.

This film was one of the worst I have watched in a long time. It makes me question if the writer knows anything about youth culture other than what they see on social media, I would guess not. The teen characters, which by the rules of the original story would likely have been killed but clearly they aren’t sticking to things, only exist to lecture their parents on their evils, even going so far as to put them on trial because they do something they don’t like, so far so bratty. Then the little kids are even worse, they are like oh we get a say in our own future then they follow it up by killing their parents again for not any real reason. It feels like the worst corners of twitter, the whiny types who have to have everything there way and who have to constantly campaign for different causes in order to have a soul/personality turned up to the max.

Couple this with the fact that this film in no way even tries to follow the original or books story and doesn’t even bother to kill off the adults into mid-way into the film, and you will start to see just how bad it is. Worse yet, unlike the original film with Linda Hamilton, wherein the He Would Walks is not shown but instead illuded to, much scarier, here we show him in all this CGI terribleness and honestly it removes any kind of fear factor out of the story and instead almost becomes comedic.

Overall, before watching this I had heard it was bad, but it was worse than I was expecting it to be.

1/5

Pros.

It is short

Cons.

The writer’s only interaction with young people is clearly those they see on Twitter

The social commentary is unneeded and not handled well

It is not scary

They ruin any kind of mystery or tension with the crop creature

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Winnie The Pooh Blood And Honey: A Straight To DVD Film In The Truest Sense

Written by Luke Barnes

Summary

The 100 acre wood gang go feral.

You have probably heard people talking about this film and how it is so shocking and controversial, as it takes beloved children’s characters and makes them murderers. However, it really isn’t shocking, it is a quite clear effort to be provocative and edgy in order to get attention and sell what would otherwise probably be a straight to DVD affair.

In many senses this attempt to be edgy falls flat, as it doesn’t go far enough. When you look at another independent horror film in Terrifier and you compare the two you can see just what I am saying. In many senses this film just feels like a generic slasher film, even when it is trying to be gory and shocking it pales in comparison to other films like Terrifier

Another thing I disliked about this film was how bad the writing was and through that how stupid the characters were. I will give you one example of my point there is a scene in a room with a swimming pool wherein the victim is stood on the side of the pool and the killer is advancing towards her, yet rather than run around the otherside of the pool which she totally could do and maybe even get away she instead jumps into the pool in fright. It is baffling decisions like this that make rooting for any of the characters in the picture hard.

I do think the premise is strong and the idea does have merit undeniably but the execution is beyond lacking.

Overall, try hardy and boring in the worst way.

1.5/5

Pros.

It is an interesting idea

The opening inspires confidence

Cons.

It is boring

It is not as edgy or as shocking as the marketing presents it

It is generic

The characters are dumb and unlikeable

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The Mandalorian: The Convert

Written by Luke Barnes

Summary

A long pointless aside from the story you are actually interested in.

So when I first turned on the episode and noticed the hefty runtime I was rubbing my hands with glee thinking I was going to get more time this week with Din, Played by Pedro Pascal, Grogu and Bo-Katan, played by Katee Sackoff, but no it was mostly all dedicated to a forgettable secondary villain character from the earlier seasons that you likely won’t even remember.

What makes this so bad in my opinion is that the opening that sees Din and Bo running away from Remnant Imperial troops is then thrown off course for this glorified side story. This then trades in all the tension and energy the story had from this opening and for what? The story itself about how the New Republic treats those Imperials who are still around is not one I had ever really wondered about or wanted to know.

The episode tries hard to get you to care about these mostly new characters but I just didn’t. It felt weird and forced in, if they don’t have the material to cover the full number of episodes promised then they should have promised less. If this had been in Andor then it would have felt more in place, though not be the right time period, but for the Mandalorian it doesn’t fit at all.

Overall, easily the worst episode of the new season so far.

2/5

Pros.

The opening

An Imperial warlord

Cons.

A needless aside

I don’t care about the new characters

It is dull and drags on

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Star Wars The Bad Batch: Pabu

Written by Luke Barnes

Summary

Clone Force 99 finally get some peace.

This was not a good week for Star Wars between the long needless aside on the Mandalorian and then this episode of The Bad Batch, I haven’t been so bored watching Star Wars in a long time. I think what makes this episode so much the worse is the fact that last week’s episode ended on a cliff hanger for Crosshair, which not only wasn’t addressed here but we got an incredibly filler episode about the Batch finding a home and letting Omega be a kid for a while.

I think it is pretty clear that this peace will be short lived, but I have to say there was very little actual peril in the episode at all, yes you had the threat from the sea but that was incredibly low bar. I just think that with the excellent run of episodes up until this one that teased some pretty major things to come this massive step back was not only a misstep but also a move that entirely ruined the momentum the series had been accruing.

The best thing this episode did was have Sid finally go fully villainess, it was a long time coming and I am glad that with her betrayal of the Batch likely quickly incoming that it means she won’t be in the show for much longer as she has long, long outstayed her welcome on the show.

Overall, an incredibly slow episode that ruined a lot of the momentum the show had going for it.

2/5

Pros.

Sid’s turn to villainy

It was watchable

Cons.

It is far too slow

It feels like filler

There is no sense of threat

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The Last Of Us: Look For The Lights

Written by Luke Barnes

Summary

Joel, played by Pedro Pascal, and Ellie, played by Bella Ramsey, reach the end of their journey.

So this episode wasn’t shocking for me as I knew it was coming, when Ramsey took to social media to say the final would be divisive I was expecting something shocking but in reality it was just the ending of the game most people picked, to save Ellie.

When Joel goes on his rampage and guns down most of the fireflies in order to get Ellie out the show clearly wants to frame it through the lens of look at what a brutal, and possibly even unjust, thing he is doing, however, this doesn’t work for me as I agree with Joel and picked this ending in the game. A parent would watch the world burn as long as their child was safe.

I also question the merit in having the season finale be one of the shortest episodes of the show, if not the shortest. I think the episode does have somewhat of a rushed feel to it and could have gone into more of the life of Ellie’s mother, played by Ashley Johnson, or could have shown more of Joel and Ellie in the aftermath of the hospital bloodbath as they deal with what happened.

Overall, whilst still good this was probably one of the weakest episodes of the show.

PS. I think this might be where I leave the show, as if they do a second season that adapts the second game I don’t want to watch it unless they make some pretty major changes.

3.5/5

Pros.

Joel rampage

The emotions

Pascal’s acting throughout

Saving Ellie

Cons.

It was too short

I disagreed with how the show framed things

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