Written by Luke Barnes
A mother, played by Sandra Oh, and her daughter, played by Fivel Stewart, must contend with past ghosts that arrive after a death in the family.
So I will give this film props for originality, the Korean flavour to it helped to set it apart from a lot of other mother-daughter horror films out there, moreover, the mythology of the film feels likewise fresh and novel.
However, that is where the praise ends, as though there was some novelty to the film for the most part it was incredibly cliched and predictable. I don’t know if it is just because I watch a lot of films, but I could accurately work out from the opening five minutes where this film was going and how it was going to end and it did just that, not a surprise in store.
Moreover, the mother-daughter relationship between Oh and Stewarts’ characters felt like re-treading well worn ground, the relationship added little new to either the genre as a whole or to mother-daughter relationships in general, much like the wider conflict of the film we have seen it before.
Overall, though certain parts of the horror feel fresh it can’t mask the wider feeling of over familiarity and blandness on display here.
The Korean inspiration to the horror
It is watchable
The mother-daughter relationship
It is generic
It has been done better before
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