The Witcher Season Two: The Grey Tide Of Netflix’s Efforts Into Fantasy, How Not To Adapt.

Written by Luke Barnes

In a break from my reviewing tradition I want to take a minute today to talk about season two of the Witcher on Netflix, and why I couldn’t make it to the end of it despite being a fan of the books and the games.

So straight off the bat we have to debate whether this show even is the Witcher, like it is called that and has characters which bare the same names as those who appear in the books and the games but in most other ways it is devoid of the wider franchise and feels far closer to generic fantasy. Whether it is the fact that show choose to cut out so, so much from the books or the fact it changes so much of what it does keep there is just something about this show that just doesn’t feel like the Witcher to me.

Clearly this show is hell bent on appealing to the Twitter brigade, we all know who I am talking about, they have race swapped a number of key characters and are constantly queer baiting a relationship between Geralt, played by Henry Cavil, and Jaskier, played by Joey Batey. I am surprised more people aren’t annoyed about the queer baiting on this show as it is quite obviously leading to nothing and is a poor stand in for any real LGBTQ+ representation on the show. Moreover, the race swaps could have been used well, maybe even played some sort of role in the new story the show wants to tell, but no, they were done for no reason other than for the people behind the show to preach about how diverse their cast is. Yikes.

In addition, the effects are often quite poor, yes every now and again they get one sequence where the effects come together well but more often then not it doesn’t work. This might sound bias against Netflix, which is humorous as many people have called me a Netflix shill in the past, but there is a hue of their trademark cheapness to this show that really shows up more often than it should.

The scene that finally killed this show for me was when Eskel, played by Basil Eidenbenz, was turned into a monster and killed just for the random shock value of it despite only just being introduced and being important in the wider lore. They could have handled this scene in any number of better ways but they did it to prove their independence from the successful books the show is based on and show how there is no element of Sapkowski’s universe that this show won’t ruin.

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