Interview With Writer/Director/ Editor Hunter ‘Bueller’ Farris: Found Footage Dracula.

Written by Luke Barnes

I recently had the chance to interview writer/director Hunter ‘Buller’ Farris, about his new film Found Footage Dracula which serves as a reimagining of the classic tale of Dracula. In this interview we discuss Bram Stoker, The League Of Extradentary Gentlemen and the benefits to shooting films in the found footage style. I hope you enjoy.  

Q: What made you want to make this film?

HF: Bram Stoker’s novel was written in a series of letters, journal entries, newspaper clippings, scientific writings, and half-a-dozen other formats, so I felt like found footage was the only way to capture the experience of what it feels like to read the original novel.

Q: What was the message you wanted to get across?

HF: I wanted to help audiences understand what it feels like to be an audience member in 1897, so this film could be an empathy machine and so this film could help us understand that our modern perspective is not the only perspective.

Q: What is your favourite vampire film?

HF: I’m going to be honest, I love the aesthetic of League of Extraordinary Gentlemen (2003). The whole film is this wonderfully rule-of-cool dieselpunk dream.

 Q: Why re-do Dracula?

HF: A lot of versions I’ve seen of Dracula take out some of my favourite parts of the novel, like Jonathan being manipulated by Castle Dracula, the voyage of the Demeter, and the character of Quincey P. Morris. So I wanted to put those parts back in. Also, no one has ever done Found Footage Dracula, and I feel like it’s the best way to capture the experience of what it’s like to read the original novel.

 Q: What benefits do you find to shooting in the found footage style?

HF: Found footage is incredibly cheap, so we could pay all the cast and crew fairly for less than $2000 because you only need 1 or 2 people on set at a time. When your set doesn’t need fancy lighting, or a separate sound source, or PAs, or grips, or a DIT, you can film from anywhere in the world. So I was able to work with people I would never get to work with.

 Q: What do you think your film contributes to the wider found footage genre?

HF: Most epistolary novels are exclusively letters. Bram Stoker’s novel expands that format to everything from invoices to journal entries, to a suicide note! To capture that feeling, I wanted to expand past the traditional form of found footage and use a dozen different sources of videos, like TikTok, Snapchat, podcasts, and even a doorcam!

 Q: Any funny on set stories?

HF: Honestly, I can’t think of much that was funny. Weird? Yes. Comfortable? Yes. But not much funny.

Q: Future plans?

HF: We’re expanding to a cinematic universe, including Jekyll & Hyde as a social media screen movie, Dorian Grey as a juxtaposition of social media and private video, and The Phantom of the Opera as a fictional Making-Of documentary. And eventually, all of those will crossover, inspired by The League of Extraordinary Gentlemen.

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