The Devil Rides Out: Christopher Lee Becomes A Magical Warrior Of The Lord


Written by Luke Barnes


A satanic secret society infiltrates British high society and Christopher Lee is all that stands between them and their dastardly ends.

Yes, yes I know this film has some racial undertones and is in many respect problematic, but it was from over fifty years ago so I am not hugely surprised. I have acknowledged these elements but for the purpose of my review I am going to try and look past them as little more than a product of their time.

Without further ado on with the review. Christopher Lee was a fantastic actor; he commands the screen here as Duc de Richleau. He brings such gravitas to the performance it is hard to look away, you really buy his performance consistently throughout.

Moreover, the film handles its stakes very well. Though only small in scale the film makes its stakes feel far grander and it is hard not to get caught up in this battle between good and evil. The tension coursing through the film is often palpable especially when it comes to scenes of mental sparing.

The film is beautiful to look at, even though a few of the scenes look quite poor by today’s standards, especially the car chase. However despite this there is longing towards this style of film making within me wherein whole films are not just massive dumps of CGI that underpaid visual effects people were forced to make during one long weekend wherein they couldn’t go home and were paid below minimum wage most likely.

Overall, there is a charm to this film that we don’t seem to see anymore.



The stakes

The tension

The Angel Of Death scenes

The ending


The rather blatant racism

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