Death To 2021: 2022 Doesn’t Look Much Better

Written by Luke Barnes

Summary

A comical stand-up of major world events from 2021.

For the most part I thought this was good, it made me laugh several times though not every joke landed. Moreover, I also appreciated the fact that though it covered some hot button issues it never really came down hard on one side or another politically and just tried to lampoon everything, that is how comedy should be.

In terms of the fictional talking head characters created for the special I thought Hugh Grant’s MBE wielding combater of the woke had many strong comedic lines and Cristin Milioti’s QAnon tinged Kathy Flowers once again stole the show. It is a huge shame that the world has yet to learn about Milioti’s fantastic comedic chops enough to land her leading roles in comedy films, hopefully soon that will be rectified.

My only real criticism would be that there were pacing issues in parts and not all of the jokes landed, these two things weren’t major issues but they did team up and when they did it led to a few bad segments where unfunny jokes were stretched out for far too long.

Overall, a funny stand up to an otherwise quite troubling year.

Pros.

Grant

Milioti

The jokes

It never chose one side politically

Cons.

Pacing issues

A few bad jokes

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Coming Home In The Dark: In Contention For My Worst Film Of The Year

0/5

Written by Luke Barnes

Summary

A family is attacked by a duo of deranged men.

What was the need for this film? What did it address that hasn’t already been done so better before? Honestly as I am sat here writing this review after having seen it, I struggle to answer either question. There is nothing wrong with a film being gritty when it is in service of something, but here it seems to be done for nothing more than shock value.

A lot of people don’t like films like Hostel as they feel they are over the top, needless and handled in bad taste, well personally I like the Hostel films well enough but I can see all those complaints being true here of this film. It was deeply unpleasant to watch and even more so to finish, it was so bleak, depressing and needless that honestly I struggled to finish it.

I think the thing that makes everything worse is how incredibly predictable it all is. There truly are no surprises here, you know exactly where this film is going throughout, you don’t want it to go there but rather predictably it does and it is unpleasant for doing so.

Overall, this is one of the hardest films I have ever had to sit through.

Pros.

Really nothing

Cons.

It is bleak and depressing

It feels done in bad taste and for shock value

It is incredibly predictable

It has major pacing issues

It is a chore to watch

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Don’t Look Up: A Gender Swapped Trump

0.5/5

Written by Luke Barnes

Summary

A group of scientists and astronomers must convince the world that a giant asteroid is about to wipe them out.

This was a deeply unlikeable film it seems to be just over two hours of Adam McKay being smug. The runtime in and of itself is excessive and indulgent but that could be remedied if the film had something interesting to say, but it does not. The film makes a lot of rather obvious and on the nose political points about how Hollywood saw America during the Trump presidency, honestly all of these points have been made before and though the film gender swaps the president role it is incredibly obvious what it is trying to say. It is several years out of date.

Moreover, this is the big film that Jennifer Lawrence used as her comeback to acting, after to quote her ‘audiences got sick of her’, well that isn’t about to change anytime soon as her character here is incredibly annoying and is written as a one note flat character. Her character is given nothing to do beyond freak out, and that quickly gets tiresome. Furthermore, the film features Jonah Hill being equally as annoying, only the film doesn’t seem to realise this and instead thinks he is being hilarious and quick witted, not only does this film prove to you that Hill should stay in drama roles it also shows you how desperately this film wants to be something like The Wolf Of Wallstreet.

Overall, a smug film that is too busy giving itself a pat on the back to do anything else.

Pros.

Leonardo DiCaprio is trying his best

A few funny moments

Cons.

It is smug

It is incredibly on the nose

It has pacing issues

Lawrence is awful

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Yes God Yes: Chat Rooms, The Portal To Self Discovery

3.5/5

Written by Luke Barnes

Summary

A catholic school girl, played by Natalie Dyer, learns the importance of self-love after she gives in to sin.

I thought this film was in many ways genius, I think for a long time the sex comedy genre has been heavily male dominated and in recent years we have seen more sex comedy films told from the female point of view and this is much needed, this is one of those films. I think it is important to do this to demystify ideas around female sex and masturbation and in many ways these have been stigmatised within society.

I would say the film is funny about three quarters of the time, not every joke lands but enough do that it still works as a comedy. In terms of the dramatic elements I think the film does a good job of making us see the repressed world of this catholic school girl just looking to explore her sexuality and shows the adversity she faces.

Dyer does a good job here and does more than enough to distance herself from her other role of Nancy Myers on Stranger Things, I think there is a believable naivety here and a believable innocence that really plays into the performance and makes it seem more genuine.

Overall, an important film for many reasons but one that doesn’t totally stick the landing.

Pros.

The female focus

Demystifying female sexual experiences

The jokes

The ending

Cons.

Not all the jokes land

Pacing issues, it may have worked better as a short

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Reno 911 The Hunt For QAnon: Trapped At Sea With Conspiracy Theorists

2.5/5

Written by Luke Barnes

Summary

The Reno County Sheriff’s Department try and hunt down the leader of QAnon.

I will preface this review by saying that before this I had never seen any episodes of Reno 911 so if there were references and call backs to things that happened in previous episodes and specials of the show I will not have got them.

Did this special make me want to go back and watch the show? Maybe. I appreciated that though the focus of the special was on a very contemporary issue with QAnon it did not feel dated. However, I didn’t find it particularly funny either, there were one or two funny moments but on the whole a lot of the jokes fell flat for me.

There is not a lot to say about this one because it was just fine, it was watchable but not very funny. Did it need to exist? Probably not as I doubt it is likely to spark much renewed interest in the show, but I was never a fan so what do I know.

Overall, it was very watchable, but not very funny.

Pros.

It is very watchable

It doesn’t date itself

It is relatively well paced

Cons.

A lot of the jokes don’t land

It doesn’t justify its existence

The ending feels weak

Storks: Time To Tell Your Kids The Truth

2.5/5

Written by Luke Barnes

Summary

Some American children still believe that storks bring babies to parents, this film imagines a world where once that was true but now they are basically Amazon delivery drivers.

This film is made watchable by the charm of Andy Samberg, a film would have to be deeply terrible for the charm of Samberg to not be able to salvage it, he truly is the only thing that makes this film good. That is not to say that the film is bad however, I would say it doesn’t do anything bold enough to be bad, rather it is happy to sit in the generic.

The human plot line of the young boy, voiced by Anton Starkman, who writes to the Storks to get a baby brother despite this not being his parents wishes, not only doesn’t land in terms of emotional impact but instead seems to be going out of its way to make the boy seem unlikeable and brattish. I think the whole human plotline should have been cut out.

The story is fairly boring and uninspired you know everything that is going to happen as it has happened time and again in other better films before this one. On the whole the film seems scared to try and do anything new.

Overall, a very generic animated film.

Pros.

Samberg

It is watchable

A few unintentionally funny scenes

Cons.

The human plot line

Pacing issues

It is deeply generic

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True Memoirs Of An International Assassin: The Shlub And The Model

2/5

Written by Luke Barnes

Summary

Kevin James’ character is mistaken for a famous assassin and forced into a dangerous situation.

Honestly, I only really watched this film as a means to turn my brain off, at no point before, during or after was I under the impression that it was going to be/ or was good. However, it is not as bad as you might expect it to be, it is fairly tame and harmless. It is neither good nor bad, rather just watchable.

James brings an everyman sort of appeal to the role which for parts makes the character more accessible however, at other times James’ portrayal borders on the irritating, we understand he is being presented to us as weak willed and as something of a coward but sometimes he is almost caricature like in this respect.

The romantic relationship between James’ character and Zulay Henao’s Rosa comes across as Hollywood wish fulfilment at its most egregious, once again we are presented with an almost cartoon like pairing of the model and the shlub and are asked to believe it, well in all honestly it is starting to get more than a little trite.

Overall, it is fine nothing more nothing less.

Pros.

It is watchable

A few funny moments

Cons.

James

The romantic pairing

It drags on

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Hawkeye: So This Is Christmas?

3/5

Written by Luke Barnes

Summary

Kate, played by Hailee Steinfeld, and Clint, played by Jeremy Renner go head to head with Kingpin, played by Vincent D’Onofrio, and his forces in an effort to save Kate’s mum, played by Vera Farmiga.

I am very mixed on this finale, on the one hand you had some nice scenes between Kate and Clint, they finally started to feel like real partners and both Renner and Steinfeld really nailed the emotion in these scenes. Moreover, the big confrontation between Clint and Yelena, played by Florence Pugh, was executed well, Yelena’s rage turning into a gradual understanding was shown well by Pugh and I would like to see more of the two in the future I thought they worked well together.

However, on the other hand I didn’t like the Echo, played by Alaqua Cox, storyline very much, it all felt very rushed, and if they did bring Kingpin back just to kill him off then honestly that is a slap in the face to the fans from Marvel and one I think they would regret immediately. I am hoping D’Onofrio comes back for the Echo series because right now I can’t see a reason to watch it.

The action in the finale was also just okay, I liked the trick arrows though in the end a lot of them ended up feeling samey or ridiculously over the top, I get that it is a comic book show but this world does have some basic rules of logic to stick to.

Overall, the positive moments slightly outweigh the bad, though not enough to stop this from being the weakest Disney + series from Marvel.

Pros.

Pugh

The emotional scenes between Clint and Kate and Clint and Yelena

A few good jokes

Cons.

Kingpin

The end credits scene no one wanted

Echo

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Antlers: Beware The Call Of The Wendigo

2/5

Written by Luke Barnes

Summary

An investigation is undertaken after his school begins to suspect that a young boy may be being abused at home, however, the reality is actually even darker and altogether more supernatural.

I had been looking forward to this film for a long time and had heard good buzz about it, however, upon watching it I was sorely disappointed with it. Firstly it is needlessly bleak and dark for the sake of it, yes I understand the subject matter is unpleasant but that doesn’t mean the film can’t have any fun at all, honestly rather than scare me this film just depressed me. Moreover, the incredibly muted colour pallet done to fit with this aesthetic makes the film look generic and ugly.

I will give the film praise for its creature effects; the wendigo does look good when it appears on screen and is very distinctive. However, in a film so tied to First Nation beliefs it is noticeable that they only have one person of that background on the cast sheet and only use them to fulfil a mystic role, which frankly feels a little insulting.

Overall, this was executed so poorly that any promise it did have quickly dissipates. The wendigo is neat but sadly not much else about it is.

Pros.

The wendigo effects

The actors are trying

Cons.

It is depressing

It is visually uninteresting for the most part

The lack of First Nation representation

Pacing issues

The Last Train To Christmas: Ruining An Interview By Urinating On The Tape Recorder

4.5/5

Written by Luke Barnes

Summary

Tony Towers, played by Michael Sheen, is a club owner on the verge of bankruptcy, however when he enters a train that allows him to travel to other decades of his life he tries to change things in order to be a success, however, as he does this he realises what really matters to him.

This was a powerful film; I know the above summary might make the plot sound a bit generic but trust me it really isn’t. As Tony begins to learn that his success comes at the cost of his brother’s, played by Cary Elwes, physical and mental health and then tries to save him it hits you like a ton of bricks. The bond between these two characters is incredibly strong and Sheen and Elwes play off each other really well over the course of the film.

I found the morality of the film and the impact of Tony’s choices to be fascinating and not go in a way that I was expecting. I thought the ending of the film felt incredibly well done and earned, the one thing that bothered me about it though was that the two didn’t talk, I felt like this was needed for us to know that Sheen’s Tony had been truly successful.

Overall, potentially a new Christmas classic.

Pros.

Elwes

Sheen

The emotion

The morality

Cons.

The ending

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