X-Men Apocalypse: Ripping Up And Ruining Comic Books Over The Space Of Two Hours


Written by Luke Barnes


Apocalypse, played by Oscar Issac, awakens in the mid Eighties and tries to take over the world.

This film takes a steaming dump all over the X-Men in many ways. Firstly it brings in fan favourite characters such as Psylocke, played by Olivia Munn, Angel, played by Ben Hardy, and Storm, played by Alexandra Shipp and then barely uses them. Worse still in the case of Angel the film just kills him off. This shows almost a contempt to the lore or the universe as Angel is a character that has had a long and storied comics history and has many places to go, not that this film cares.

Likewise, the film had the perfect inspiration in the Age of Apocalypse storyline from the Nineties yet it doesn’t even bother to draw an influence from that, and instead gives us a mess riddled with needless Eighties nostalgia and horribly used CGI. The final battle in this film is one of the worst realised of any superhero film in terms of its use of CGI, it looks visually repulsive.

The cast across the board isn’t very good with two key exceptions that I will get to, the young actors brought in to play the new version of the X-Men are all terrible with no exceptions, Tye Sheridan and Sophie Turner are particularly poor. Jennifer Lawrence clearly doesn’t want to be there and though normally he is terrific here James McAvoy is sorely underused and as such can’t deliver.

The two good performances and the reason this film doesn’t get lower are Michael Fassbender as Magneto and Evan Peters as Quicksilver. I thought the exploration of the father son dynamic between these two characters was interesting, I would have liked to see the film commit to it rather than just dance around the subject but it framed the film nicely. Of course the slow motion scene with Peters is cool to look at, but it is the emotional scenes where his character shines.  

Moreover, the scenes with Magneto as a family man, who then loses his family and breaks bad again are very well done and easily become the highpoint of a deeply mediocre affair.

Overall, the clear start of the decline for the Fox X-Men films.


The father son subplot



Wasting Oscar Issac

The young cast

The CGI finale mess

A weak plot

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