Written by Luke Barnes
A fixer, Frank Grillo, and a hitman, Gerard Butler, find themselves locked together in a police station, with a rookie police officer, Alexis Louder, trying to figure out what is going on and why everyone wants the fixer dead.
Very much like with Joe Carnahan’s other work this film is very stylised, moreover it benefits from being this way: having a very distinctive visual pleat that draws on grindhouse and exploitation elements whilst keeping things fresh.
Surprisingly following Carnahan’s Boss Level, I find Frank Grillo not in best shape here. I understand the script wants us to view Grillo’s character as an unfeeling cold escape artist, but the film does not do enough to set that up, rather it just makes leaps in character development that just assume the audience is already viewing the character that way, which they most likely aren’t.
It is because of this that Butler really becomes the star of the show and manages to outperform Grillo seizing the lime light and the potential sequel. The only threat to Butler in this regard is Toby Huss, as the secondary hitman sent in to clean up Butler’s characters mistakes. Huss steals the show and has sone of the most memorable lines of dialogue I have heard in a long time, I know the film kills him off but if they do do a sequel he needs to come back in some way. Maybe a twin brother.
The crime thriller elements were engaging if a little generic at times, however they were elevated by the quirky personality of the film and some of the more out there comedic moments that strangely not only land but work.
Overall, the style and the humour elevate what could otherwise be a by the numbers thriller.
A generic plot
A few issues with character development
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