Written by Luke Barnes
A hotel worker, Grace Van Pattern, escapes her hellish life and travels to a different realm where she joins up with a band of other woman who live on a submarine during war time.
This film was poorly done, honestly it made me angry. In many ways this film is like Zack Snyder’s Sucker Punch, as in a character escaping into possible fantasy to deal with trauma, in many ways this film owes Snyder a debt.
What I disliked about this film is its morality. To not put too fine a point on it Van Pattern’s Ana is targeted and abused by men in her hotel work, this then translates to when she joins the band she has no issue killing men indiscriminately. Yes, the group of women that Ana joins up with lure in and kill men for the sake of it, not because they have done anything to them, in most cases, but just to prove that they shouldn’t be messed with. The film does show Ana eventually realise that what these women are doing is wrong, but it spends a long time before that justifying and also hero worshipping them.
Riddle me this dear reader, would a film that saw a group of men randomly killing women that for parts in its early run paints them as righteous in what they were doing even be allowed to be made? No, and for good reason. Yet here it is fine? That doesn’t make sense to me. I understand the need for strong feminist films that have powerful upfront themes and ideas, but I don’t think this is the way.
Honestly the bleakness and then the iffy justification makes this film unwatchable as far as I am concerned.
Overall, despite an interesting concept this film feels morally dubious and harmful.
An initially interesting concept
Justifying the killers behaviour
It is bleak and hard to watch
It feels harmful to the discourse
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