Hey Everyone. I recently got the chance to talk to Alexander Jeremy for the second time, my first ever follow up interview, about his new film Crowning, which sees a young pregnant women adapt to her changing life. In our interview we talk about silent cinema, corner shops and hiding in bushes.
Q: How would you describe this film in a word?
Q: What do you feel this film says about pregnancy and the idea of it?
A: I guess it kind of challenges our presumptions, you think she’s one thing and then she’s not. We see pregnant women as sacred and in need of care, but we thought we’d play with this.
Q: A few of your films have heavily featured a corner shop is there a deep meaning or wider connection there?
A: It doesn’t have a deeper meaning other than its the corner shop closest to my house! I know the guy who runs it, and he lets me film in there!
Q: How did you find filming this film in lockdown compared to the experiences of Milkrun earlier?
A: I’d learnt a lot from Milkrun, mainly that i can’t do everything by myself! I still wanted it to be no-budget (about £500 budget all in!) but I wanted it to have more polish than Milkrun did. So I got in some great people to help me out.
Q: When the character enters her home and says something to the effect of ‘I’m home’ who is she talking to?
A: She’s talking to her imagined husband. She creates a dreamworld for herself, the perfect pregnant woman with the perfect house, home, jewellery etc. She’s a bit mad – but I guess it’s a comment that the writer Hannah was trying to make about desperately trying to live or aspire to a certain life, even if it causes you much pain and makes you delusional.
Q: Do you have any funny on set stories?
A: I mean, there were so many shots in the rushes where I was just in the background, using my phone as a wireless monitor. I just stand there in the background like a freak. We’d have to cut a lot because I just kept popping up. What a fool!
Q: Sparse dialogue is used with deliberate intent here, what were you trying to convey with it?
A: It’s a style I’m playing with at the moment, sort of a development of silent cinema, but then combining that with modern equipment, cameras – ambient sound etc. It also helps us with budget, so there is no need for sound recording! How does the Crowning make you personally feel? I don’t know. Again, I like playing with style, trying things – I often don’t really know what it means but it definitely makes me feel something. I just try to follow that (whilst maintaining a somewhat coherent narrative.)
Q: Sequel plans, what’s next for you?
A: No sequel plans, but I’m potentially thinking of developing this kid of style into a feature film! An almost silent feature. I think it could be cool, using the low-budget approaches I’ve been developing, trying new things etc. I also have a more conventional bigger budget short I am in post with at the moment called The Spaceman, which stars Amanda Abbington, Woody Norman and someone else I can’t mention yet! Stay tuned.
You can check out Crowning on Youtube now, and as always my review is also up on the site now.