Written by Luke Barnes
This film was hectic, all over the place and oddly enthralling, there was something about this clear art piece that stopped you from being able to look away, even if you couldn’t tell what was going on.
Before, making further comments about the film I want to state and acknowledge for the record my place of male privilege. I think for me one of the biggest issues with this film is the fact that it too comes from a place of privilege, the tale of the character featured herein is not one that everyone can relate to, but rather one of a financially comfortable, professional. There is a huge degree of middle class privilege to this film that I think renders it out of touch before it even gets going.
Moreover, there are also a lot of first time director issues with this film too, such as audio issues and camera choices that not only prove distracting, but also make the film hard to follow. Whilst watching this I had to activity try and make sense out of some of the scenes that just didn’t, and also strain to hear important dialogue that is obscured over odd sound choices.
In terms of performances I think Billie Piper is strong I think is manages to capture a sense of manic energy that propels the film forward whilst also tapping into a deep well of pain and self-hate to pass comment on it. I thought the film as a whole felt very real and raw which was refreshing even if it was tinged with an unrealistic world view.
The humour for me was hit or miss, there were a few times I found myself laughing, but on the whole I was mostly unmoved by the humour of the film. Though as I often say humour is subjective.
Overall, an interesting conversation starter, but one that feels more and more hollow the further you look beneath the surface.
The premise and the comment on rom-coms
A few funny jokes
Clear middle class privilege
Odd framing and music choices
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