Case 39: The Most Upfront and Blatant Twist In All Of Cinema History

Written by Luke Barnes

Case 39 is a horror film directed by Christian Alvart. The plot sees dedicated care worker Emily Jenkins (Renee Zellweger), save a young girl from a brutal death at the hands of her parents. However, one thing leads to another and the rescued Lilith (Jodelle Ferland), begins living with Emily and Emily soon realises that there is something off with her.

Spoiler warning for one of the most obvious twists in cinema history.

Ok last chance.

Lilith, as the incredibly on the nose name would suggest is in fact a demon. Yes, to make it even more obvious she is a succubus demon- they are really hitting you in the face with it. She can make those who go against her see horrible visions and meet grisly ends, it is all fairly generic and nothing that you haven’t seen better before.

This film felt to me like the producers and creatives behind this film had watched Orphan and seen the great twist in that film and been like ‘let’s make something similar but dumber’.

The film has quite an all star cast as well, landing Zellweger at the waning peak of her Bridget Jones fame, Bradley Cooper and Ian McShane and manages to waste all of them. The acting in this film is the usual collection of horror movie cliches with little to elevate it beyond mediocrity.

Overall, one of the worst and most obvious twists I have ever seen in a film, and yes to a degree I applaud the film for being so blatant and up front about it, but at the same time it is still an incredibly weak film.

Pros.

Some dumb fun to be had

Ian McShane is trying his best

Cons.

The cast excluding McShane either don’t care or are being sorely underused

The twist

The ending

They repeat plot elements over and over again

2/5

One thought on “Case 39: The Most Upfront and Blatant Twist In All Of Cinema History

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