Mission Impossible Fallout

Mission Impossible Fallout is the latest film in the series and the sequel to 2015’s Rogue Nation. Now a lot of you may have heard all the reviews saying that this is the best instalment in the series; that I believe is an accurate surmise. The reasons as to why Fallout is so good is two-fold, firstly it carries on the superb quality of the last few Mission Impossible film, with the eye-catching and gut-wrenching action choreography being evidence of that. Secondly, it strikes a bold and bloody tone straight from the off, one that works masterfully. More to the film’s praise all the performances are top-notch, with Tom Cruise still being very believable as Ethan Hunt; even after all these years. Moreover, Cruise does not disappoint fans who come looking for death-defying stunts, with there being plenty throughout; even more so than in previous instalments. In addition, Rebecca Ferguson returns from Rogue Nation as Ilsa Faust, bringing with her a plot ruffle that helps to add an international air to the storyline overall. To add to that the romantic relationship between Faust and Hunt is built upon, and unlike many others, I think this is done very well and feels natural and organic. Also, the newer additions to the cast are all outstanding, especially Vanessa Kirby’s White Widow, who brings with her the classic feelings of the femme fatale. Henry Cavil’s Walker is also an interesting sub- antagonist and a clear psychical match for Cruise. The plot, overall, is compelling and has many twists and turns; as one would expect from a Mission Impossible film. However, it also suffers from being overstuffed, with there being many plot lines that feel like they have no purpose. Chief amongst these is the return of Hunt’s wife Julia, (Michelle Monaghan), this return for me doesn’t work as it undercuts all that the film sets up between Hunt and Ilsa. What’s more the conversation between Hunt, Julia and her new husband in the film’s third act, doesn’t provide closure or raise the stakes as it may have been intended to, but instead serves to dampen the tension. Furthermore, there are dream sequences which feature the film’s true antagonist Solomon Lane, (Sean Harris), which seem oddly out of place. That being said the non-dream scenes that Lane is in are all superbly acted with Harris being a fantastic villain. Sadly, the same can’t be said for the supporting cast who mostly feel wasted this time around. This is especially true of Angela Bassett’s Erica Sloane who outside of a few brief scenes is barely featured. Overall despite the film’s issues and a needlessly over-bloated run-time, Fallout is without a doubt the best film in the Mission impossible series, and I really recommend you see it.

 

4/5

Reviewed by Luke

Mamma Mia 2

Spoilers

Mamma Mia, here we go again is a musical film, with two central plotlines. One is set in the present day focusing on Sophie, (Amanda Seyfried) as she tries to open a hotel in honour of her late mother Donna, (Meryl Streep).  The other plotline is a series of flashbacks that chronicle how Donna, met each of Sophies 3 fathers and her early time on the island. Both storylines are good and have emotional weight, which leads to a bittersweet interwoven climax in the film’s third act. Furthermore, the casting of Lilly James as young Donna is spot on, James nails the performance; with it being clear to see she is enjoying every minute of it. However, my one criticism of the flashback storyline is that there is one moment that is clearly trying to be funny but instead comes off as overly awkward. In many ways the present-day storyline, whilst still being good, is overshadowed by the flashbacks. This is true in many ways, such as if we are being honest James is more of an enjoyable presence than Seyfried. The best thing about the present-day storyline is Fernando Cienfuegos, (Andy Garcia), who chews up every scene he is in. Moreover, whilst his character’s late in the game romance with, Ruby, (Cher) produces the best musical number of the whole film, it suffers from being underdeveloped. Finally, the music, the score and the songs themselves are of course superb. However, there is an issue which lies in how the songs are used. Mostly the songs feel spontaneous and natural, but there are a few instances where they feel needless and forced in for the sake of hitting all of ABBA’s greatest hits.  Overall, this is a very fun romp, being a nice bit of summer escapism that I strongly recommend you indulge in.  This film will make you laugh, cry and most importantly sing along.

 

3.5/5

Reviewed by Luke

Hotel Artemis

Hotel Artemis focuses on the exploits and clientele of an exclusive criminal hospital. The story centres around one night at the hotel, focusing on multiple characters such as bank robber Sherman, (Sterling K Brown), assassin Nice, (Sofia Boutella), as well as the Nurse, (Jodie Foster); all set to the backdrop of a dystopian riot. The script written by Drew Pearce, (who also directs), is fantastic giving each character enough screen-time to make you care about them, without becoming too focused on any one character. All these beautifully interwoven subplots work to great effect helping to flesh out the world of the film, as well as the characters within it. An example of this is the Nurse subplot, which could have been a needless diversion, but instead becomes the context by which the rest of the film is derived. Furthermore, the performances here are also superb, especially Charlie Day, who upon first hearing of his casting I thought, (incorrectly,) was just going to be the comic relief. The action sequences are all exquisite, with the final hallway fight choreography being especially noteworthy; being helped greatly by the tremendous physicality that Boutella brings to the role. My only complaint is that Jeff Goldblum, (The Wolf King), is used very sparingly, in many ways he is used as little more than a plot device. However, this complaint is lessened by the fact he gives a phenomenal performance, having some of the best lines and the right amount of menace. This film could have just been little more than an expanded version of the Continental from John Wick. However, it is instead a strong and very original action film, with just the right amount of humour and heart. I would highly recommend Hotel Artemis and I hope to hear more from it in the future.
4/5
Reviewed by Luke

The Secret of Marrowbone

The Secret of Marrowbone follows the lives of a family who move to America to escape their past; to say more would be to ruin the film. Before I begin this review, I just want to say that this film has been mis-marketed in the worst way, The Secret of Marrowbone has far more in common with thrillers and dramas then it does anything in the horror genre. Though that is not to say that there aren’t horror elements in the film, there are, and they work incredibly well, just that’s not it’s defining genre. The film has an eerie atmosphere almost from the get-go, with it being strikingly clear something isn’t right. The film has a first act time jump which could have been a little contrived but, is employed cleverly to build the mystery. The script is very solid, with the characters being distinct and well used. The script does have issues though, firstly due to the heavy focus on Jack, (George MacKay), his siblings Billy, (Charlie Heaton), Jane, (Mia Goth) and Sam, (Matthew Stagg), are all quite underused. This is also true of the female lead, Allie, (Anya Taylor- Joy) however, despite this underutilisation all the cast give great performances; especially Taylor- Joy.  The other issue is the end twist, which comes across as overly complicated and feels as though it has been designed to leave you somewhat scratching your head. Despite this, the film is fantastic: as it bucks genre trends constantly changing and being anything other than predictable. Where this film could have been a standard haunted house tale, it is instead so much more. The themes and ideas that this film explores are incredibly deep and harrowing, to name but a few mental illnesses, family and the idea of the evil going on unseen around us all play a part. The end reveals along with Jack’s emotional arc, end the film on a very satisfying note. To conclude, this was not the film I was expecting to see, it both shocked and thrilled me in equal measure. This is a very deep thoughtful film, and one that I think needs to be seen; despite its flaws.

3/5

Reviewed by Luke.

Skyscraper

Do you like Die Hard? Do you like Assault on Precinct 13? Skyscraper is like those just without the humour, brain or soul. Skyscraper is a film about a group of criminals who start a fire in a Skyscraper, so they can steal back a list of names, that threatens to expose their crime syndicate; and of course, Will Sawyer, (Dwayne Johnson), and his family gets caught in the thick of it. Does that sound ridiculous to you? Well, it should because Skyscraper is without a doubt the dumbest film of 2018. Things start off badly and get worse, the first act is a mess of contrived overplayed backstory, and hollow characters. Chief among these is Ben, (Pablo Schreiber), who is not even a character, more a poorly disguised plot device; being laughably underused then killed off. Then, the criminals decide to frame Sawyer, for no real reason, this combined with the fact that they have set the entire Skyscraper on fire to try and steal a USB drive, leaves you groaning and asking why. Those are just a few examples of the stupidest and perhaps even the worst script of 2018. Then you have the blatant product placement throughout the film which is downright offensive, think last years Power Rangers was product placement too far, well let me tell you this is a worse example. The characters, for the most part, are shallow, underdeveloped and ultimately frustrating. Characters such as Sarah Sawyer, (Neve Campbell), make decisions no one else would make in that situation, she leaves the Skyscraper with her son with no mention, not even one, about her daughter. However, the films one positive comes from its leads, Johnson and Campbell both give great performances, though the latter is given very little to work with, they also both have a great deal of chemistry together. Johnson is playing Johnson, just like always, but that isn’t a bad thing at least not if you like The Rocks usual work, he sells the right amount of emotion to make the moments feel more than they should do, considering the poor writing. There are other positives too such as some impressive visual effects sequences, the mirror sequences in the pearl itself look beautiful. However, this is offset by some very lacking choreography at times, such as the fight sequence that happens in the back of a police car between Sarah and Xia, (Hannah Quinlivan), in which the action is barely even visible. Overall, this film feels incredibly dated, if it had come out in the 1990’s or early 2000’s it would be right at home, but in 2018 with many other better blockbusters coming out, it comes across as soulless and hollow. Skyscraper chooses spectacle over everything else, and it loses for it. The script issues, laughably weak characters, rip off nature and a whole host of other issues stop me from being able to recommend this one.
1.5/5
Reviewed by Luke

Uncle Drew

Uncle Drew is a comedy film about Basketball. The main plot focuses on a former player turned coach Dax, (Lil Rey Howery) as he is forced to put together a new team in hopes of winning the Rucker. Said new team consists of Uncle Drew, (Kyrie Irving), Big Fella, (Shaquille O’ Neal), Preacher, (Chris Webber) along with a lot of other famous faces; disguised by old makeup. For the most part, the cast all give good, if rather cliched, performances. The cast is not given much to work with in terms of the script with it being every sports trope in the book cobbled together, but they still manage to inject some much-needed heart into it. The film does have a lot of famous NBA player cameos, so if you are into your Basketball these should keep you suitably entertained. These cameos don’t feel tacked on, as they easily could have done, rather it seems they are used to give the Basketball community a celebration of the game they love so much. If you can view this film, for more than just what it’s limited story presents, and instead as a love letter to Basketball then you will enjoy it far more. The main antagonist of the film is, Dax’s long-time rival Mookie, (Nick Kroll), who is an easily hateable villain. Howery and Irving are the standout performances of the film. Howery brings a certain hopeless likeability to the role, as he perfectly en-captures the underdog spirit. Whilst Irving plays Drew as not only, slick, suave and ultimately cool but, also with a world-weariness formed by a lifetime of bad decisions, which makes his character quite a nice opposite for Dax. All those positives being said the script is overall very shallow and that isn’t something the film can get away from, the characters, as likeable as some of them are, ultimately amount to little more than caricatures of genre archetypes. Furthermore, the comedy didn’t work, there were moments where I felt myself smiling and maybe one or two laughs, but overall the comedy of the film passed me by and left me cold. In addition, there are scenes in the film that feel strangely dated, such as a dance-off in the films second act, that feels like it belongs to a different decade of cinema. Whether this is a deliberate choice to play off the fact that they are, “old school”, or not, it still feels out of place. The film’s soundtrack is impressive, managing to bridge generations, with something for everyone to like. However, ultimately all these positives are just shiny coats of paint on an otherwise played out, dated and generic sports comedy. Maybe wait until this one comes out on Netflix.
2/5
Reviewed by Luke

 

The First Purge

The First Purge is the latest film in the Purge series; set as a prequel to the previous 3 films; explaining how the day came to be. The main plot revolves around a group of Station Island residence and their struggles throughout Purge night. To phrase it very simply it’s more of the same. The story itself doesn’t really add anything new to the mix, except showing us the scientist behind the Purge. Said scientist, May Updale to be specific, is played by Marisa Tomei in a few brief scenes. The greatest positive for this film is it’s cast. Y’Lan Noel who plays the main protagonist Dimitri is fantastic and incredibly believable; with his Die Hard esque action sequence in the films third act being a true highlight of the film. Another great performance comes from Rotimi Paul as Skeletor, another truly memorable villain to add to the series pantheon. However, aside from these two instantly memorable characters, the rest are a mixture of bland, cliched and underused. The cast feels bloated, and as a result, most of the characters are left shallow and unexplored. In terms of the horror this film does have some great moments, being both incredibly tense and very unexpected, however, these moments are few and far between. Out of the series so far this is probably the least scary. This instalment also suffers from a tonal disconnect, with the film fluctuating between elements of horror and comedy, with the result being a film that has an identity crisis; this is a familiar problem to the series.  Another thing that’s worth noting is this film is very heavy handed on the social commentary; in my opinion, losing all subtly. Social commentary has been a good thing for the series in previous instalments, as it has allowed the series to explore some interesting ideas; however, this film is the step too far. This film does have many positive elements about it but is in my opinion representative of a decline in the series, with a parallel being drawn between it and the later Saw films. To conclude whilst this is a weaker instalment in the series, The First Purge is still enjoyable, it is still able to supply you with to get your horror fix. As such I would recommend it to any genre or series fans.

3/5

Reviewed by Luke

Adrift

Adrift tells the true story of the disastrous voyage of Tami Oldham, (Shailene Woodley) and Richard Sharp, (Sam Claflin).  The main plot is split into two narrative threats, the first is the story of how they met all the way up to the disaster itself. The second is everything thereafter. With the former plot thread always being an annoyance. The survival element is arguably the film’s strongest, being helped by a phenomenal performance from Woodley; who really sells the hopelessness of the situation. Claflin, on the other hand, is strongest in the pre-disaster storyline, with him barely being used thereafter. However, his lack of real usage is all to set up a third act plot twist. This the films greatest flaw.  The romance and the survival plots feel like they are building towards something, the twist ruins all of that. All the setup is dashed, all the audience investment is washed away. It is the kind of twist that makes you say, “wait, what”, and not in a good way. It does strike an emotional blow, but at a cost to the film itself. The film outstays it’s welcome during the pre-disaster plotline. However, the post-disaster storyline is tense and keeps you guessing as to whether they are going to die or be saved. Due to the fantastic character work, you care deeply about the outcome; that is why the third act bait and switch is so disappointing. On a more positive note, the cinematography is stunning with the views of the ocean and the waves being in equal measure both beautiful and terrifying.

To conclude the film has moments of greatness, however, the end twist seems determined to spit on all those positives and serves to cheapen the overall experience.

3/5

Reviewed by Luke

Sicario 2 Soldado

Sicario 2 Soldado, follows the efforts of Matt Graver, (Josh Brolin) and Alejandro, (Benicio del Toro) in their war with the Mexican Cartels. The plot focuses on Washington’s renewed effort to wipe out the Cartels, as such, they bring in Graver and Alejandro. What follows is 122 minutes of pure adrenaline and suspense, which never relents, it starts off with 2 suicide bombings and it carries on from there. As such the tone of the film is jet black, with all the characters being wrapped in shades of grey. For anyone worried that the acting wouldn’t be as strong because Emily Blunt didn’t return, fear not! Brolin’s Graves is menacing and chews up every piece of scenery he gets. Furthermore, del Toro’s Alejandro is fantastic, with him being paired with a cartel bosses daughter for most of the film. Said Cartel boss’s daughter is played to perfection by Isabela Moner, as we see her go on an emotional journey after her kidnapping. The surrogate parent angle, that del Toro’s character is given is oddly enthralling throughout. However, the acting is let down by Elijah Rodriguez’s character of Miguel. Said character is terrible as he only manages to have one facial expression for the entire film, which when compared him to Moner, the other child actor of the film; you see how flawed his performance is. Sicario 2 wastes minutes by cutting away from the main plot to focus on Miguel’s side story, which is boring. Overall the film feels very timely, with current events being what they are, and I truly believe that this adds an extra dimension to the film. Moreover, this film carries on the impressive action sequences of the first film, with each sequence being captured with ruthless efficiency, showing all the horrid splendour. On that note, this film’s gore is used to show how gritty the cartel world is and how in it youth and innocence are lost. Finally, the score for the film is also incredibly well used, being memorable and really wrenching up the suspense. Overall this is an amazing action thriller, and it is one anyone can enjoy. To conclude this may be one of the best sequels of 2018.

4/5

Reviewed by Luke